![]() That big picture – a deep dive into families, domestic abuse, adoption, the “mother myth” and much more – is, in many ways, more fascinating than the oft-covered glitz and glamour of Hollywood. “Whether you’re shooting in India or on the Death Star, you’re doing human drama.Brierley’s parents were European refugees, who struggled to establish their life in Australia with Sue (baby, right) and her two sisters. “Despite what everyone thinks about science fiction, ultimately, at its best, it’s about human beings with human emotions,” Fraser says. He shot “Rogue One: A Star Wars Story.” The only thing he’ll say about the sci-fi movie is that, in spite of its wider scope and special effects, he employed the same approach that he did with “Lion.” In addition to “Lion,” Fraser has another big project making its way to screens in the coming weeks. It’s mind-numbingly hard to think about.” “It was a whole family that was impacted. “That one event didn’t just affect Saroo,” Fraser says, about the boy’s initial separation from his kin. Even though he was raised by a loving family in Australia, he still feels the tug of home. The second half of “Lion” unfolds with an adult Saroo ( Dev Patel) trying to piece together memories of his early childhood, using Google Earth to retrace his steps back to the village he came from. He’s in there.’ She’s so confident that one of the kids jumping into the water is her son,” Fraser says. “Garth said to the actress who plays Saroo’s birth mother, ‘Go by the water. One sequence, where Saroo’s mother searches for her son along the banks of a river, brought him to tears. He has a 5-year-old son, and found himself welling up at certain points during filming when he reflected on what it would be like to be separated from his child. The DP says he was surprised by how much he came to relate to Saroo’s story. He also deployed a gimbal rig for greater fluidity in certain shots, and used drones as a cost-effective way to get sweeping aerial panoramas of the Indian landscape. ![]() ![]() “Garth has such an understanding of drama, such an understanding of soul, and such an understanding of humanity, that every time I’m on set with him, I’m →įraser shot “Lion” with Arri Alexa cameras, and used some handheld photography, which gives the film a jittery immediacy. “I can say unbiasedly that he’s one of the finest directors I’ve worked with,” says Fraser, who has collaborated with the likes of Kathryn Bigelow and Bennett Miller. Since that time, they’ve worked together on several commercials, and are reteaming for “Mary Magdalene,” a religious drama, starring Rooney Mara, that Davis is directing. The two have been friends for decades, having met when both men were starting out as assistants in the Australian movie business. As Fraser worked to find economical ways to work with such challenges, he leaned on his long association with Davis. “Lion” was filmed on a tight budget on two different continents, with novice child actors taking on major roles. They’re the things that call him home again and the things that haunt him later in life.” Memories of his childhood are important to Saroo. I wanted people to feel the sense of place. ![]() “I wanted the film to be an immersive experience,” says Davis. Director Garth Davis was very specific about how he wanted Fraser to create the look of “Lion.” He told the DP to let the locations - in India, and later Australia, where Saroo was raised by an adoptive family - dictate the images.
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